Polyphonic Encounters

Polyphonische Begegnungen – Polyphonic Encounters

Concert III – Henry Purcell, Prophetic Pathfinder
Sunday, 11 January 2026, 05.00 p.m, St. Elisabeth-Kirche – Tickets

In March 2025, the Phantasm Viol Consort launched its own concert series at St. Elisabeth Church in Berlin-Mitte. The series comprises four concerts, each devoted entirely to polyphony and spotlighting a composer especially renowned for mastery of this compositional technique.

At the very end of the English consort tradition are the masterworks by the Orpheus Britannicus, Henry Purcell. All composed during the summer of 1680 when Purcell was still 20 years of age, his restless experimentation and daring harmonies make him a true pioneer of polyphony just at a time when criticism of contrapuntal music was attacked as ‘clogged with an English vein’. With some works anticipating features found only subsequently in late Beethoven String Quartets, the Purcell Fantasies and In Nomines – all heard in one sitting – are a feast for the ears and offer an insightful perspective on the entire trajectory of polyphonic art music. Phantasm’s deeply felt approach to Purcell has been recognised since their very first CD of his Fantasies won the British Gramophone Award some 30 years ago.

Following the concert, guests are invited to a reception at the bar and a book launch. In December 2025, Wolke Verlag will publish Parsifal’s Seduction, a novel by Laurence Dreyfus, Phantasm’s founder and artistic director, about the Brahms and Wagner conductor Hermann Levi. The English original—previously published in German translation as Parsifals Verführung (2022) — will appear in a limited, illustrated edition featuring artworks by painter and sculptor Alexander Polzin. The launch will be hosted by radio author and producer Jean-Claude Kuner, with Wolke Verlag in attendance.

The two remaining concerts in the series will be dedicated to Henry Purcell and William Lawes. With this series, Phantasm aims not only to promote the rarely heard English polyphonic repertoire in Berlin, but also to foster direct engagement with audiences. After each concert, the ensemble warmly invites attendees to enjoy a complimentary drink and informal conversation at the bar—your chance to ask anything you’ve ever wanted to know about viols, consort playing, and more!

Save the dateConcert IV: William Lawes, Exceptional Eccentric
Sunday, 8 March 2026, 05.00 p.m, St. Elisabeth – Tickets

The concerts take place in the church St Elisabeth, Invalidenstraße 4a, 10115 Berlin.

Phantasm Viol Consort
The multi-award-winning Phantasm Viol Consort was founded by Laurence Dreyfus in 1994 and soon established itself as one of the world’s leading viol ensembles. It has distinguished itself through its excellent technique, rooted in the great traditions of chamber music, as well as through its dramaturgically sophisticated and musically captivating programs.

Laurence Dreyfus, treble viol and director / Emilia Benjamin, treble viol / Jonathan Manson, tenor viol / Heidi Gröger, tenor and treble viols / Markku Luolajan-Mikkola, bass viol
Guests: Ulrich Wolff, bass viol / Lea Rahel Bader, bass viol (11 January 2026) / Jean-Claude Kuner, book presentation (11. January 2026) / Martin Jantzen, tenor viol (12 October 2025)

Past concerts
Concert I – The Well-Tempered Consort: Music by Johann Sebastian Bach
Friday, 14 March 2025, 6.00 p.m.
Works by Johann Sebastian Bach, transcribed for viol consort
Concert II – Orlando Gibbons, Peerless Polyphonist
Sunday, 12 October 2025, 05.00 p.m, St. Elisabeth
Works by Orlando Gibbons

Media partner:

La Folia Barockorchester

Fiery enthusiasm!

Founded in 2007, the La Folia Baroque Orchestra has since been enlivening the international music scene on historical instruments, quite literally causing a stir. Whether performing in a chamber music setting or with late Baroque opulence, with instrumental music alone or in collaboration with vocal soloists, the young ensemble under concertmaster Robin Peter Müller consistently delivers vibrant and captivating interpretations of 17th- and 18th-century music. The La Folia Baroque Orchestra regularly collaborates with renowned instrumentalists and singers, including Hille Perl, Regula Mühlemann, and Anna Prohaska. In December 2025, the ensemble will work for the first time with the Windsbach Boys’ Choir.

Dates & venues
16 December 2025, Philharmonie Berlin / 17 December 2025, St. Gumbertuskirche, Ansbach / 18 December 2025, Friedenskirche, Nürnberg / 21 December 2025, Tonhalle Zürich
CHRISTMAS ORATORIO
Elisabeth Breuer, soprano / Maria Henriette Feuersinger, alto / Benedikt Kristjánsson, tenor / Tobias Berndt, baritone / Ludwig Böhme, conductor / La Folia Barockorchester / Windsbacher Knabenchor
J. S. Bach: Chrstimas Oratorio BWV 248: cantatas 1-3 and 6

24 January 2026, Liepāja Concert Hall Great Amber / 28 January 2026, De Singel, Antwerpen / 1 February 2026. Philharmonie Essen / 3 February 2026, Tonhalle Zürich
CLEOPATRA
Regula Mühlemann, soprano / Robin Peter Müller, musical director / La Folia Barockorchester
Works by C. H. Graun, G. Legrenzi, G. F. Händel, A. Scarlatti, A. Vivaldi, J. A. Hasse, F. Geminiani

Mozart y Mambo

FIESTA CUBANA!

Cuban rhythms and Mozart harmonise in small and large ensembles: Sarah Willis, hornist player at Berlin Philharmonic, delights with the Havana Lyceum Orchestra and her very own salsa band – The Sarahbanda.

Sarah Willis’ passion project Mozart y Mambo began just a few years ago with concerts in Cuba and an album recording. At the time, no one expected worldwide tours to the most prestigious concert venues. Yet the unique fusion of music by Wolfgang Amadeus Mozart and Cuban rhythms quickly proved to be a winning combination—captivating music lovers around the globe. Today, Sarah Willis, the young musicians of the Havana Lyceum Orchestra, conductor José Méndez and the Sarahbanda, are welcomed with open arms at top concert halls from Hamburg to Taipei!

Dates & venues
19 December 2025, Konzerthaus Freiburg / 21 December 2025, Meistersingerhalle Nürnberg / 22 December 2025, Philharmonie Berlin
A CUBAN CHRISTMAS
Sarah Willis, horn / Yuniet Lombida, saxophone / Aylín Pino, violin / Jorge Aragón, piano / Carlos García, double bass / Adel González & Alejandro Aguiar, percussion
Works by J. S. Bach, G. Bizet, R. Egües, W. A. Mozart, P. Tschaikowsky, M. A. Banquela & M. Guerra, O. Farrés, M. T. Vera, S. Siaba, F. X. Gruber, J. Feliciano
Arrangements: Yuniet Lombida, Jorge Aragón, Edgar Olivero, Joshua Davis, Sarahbanda

12 March 2026, Alte Oper Frankfurt
SARAHBANDA – “THE YOUNG BUENA VISTA”
Sarah Willis, horn / Yuniet Lombida, saxophone / Harold Madrigal, trumpet / Amelia Febles, violin / Carlos García, double bass / Adel González & Alejandro Aguiar, percussion / Edgar Olivero, piano
Works by different composers

Friends of the COE

Friends of the COE
Join the COE family!

The Chamber Orchestra of Europe (COE), the quintessentially European model of free and democratically organized orchestral structures, has been enriching the international music scene for more than 40 years. Its refined musicianship, uncompromising commitment to the highest standards of quality, and artistic curiosity have made it a cherished partner for internationally renowned conductors and soloists such as Sir Simon Rattle, Sir András Schiff, Antonio Pappano, Robin Ticciati, Yannick Nézet-Séguin, Magdalena Kožená, Lisa Batiashvili, Janine Jansen, Isabelle Faust, and many others. For audiences, it has become a true guarantee of moving and exhilarating concert experiences.

What the COE is:

  • A chamber orchestra by conviction – everyone listens to one another, every voice is valued, and the music is celebrated through passionate, authentic, and uncompromising performance.
  • A pioneering model – one of the first privately funded and democratically organized orchestras in Europe, united by its members and partners’ belief in European ideals such as freedom, democracy, and diversity.
  • A community of lifelong learners – curious to work with open-minded and inspiring artists who bring something special. So that together, they can create something extraordinary!

What sets the COE apart:

  • Unique concert experiences with like-minded partners who share the same values, who learn together, who become friends!
  • Sustainable relationships with musicians, concert organizers, residencies (Kronberg Academy, Schloss Esterházy, Festspielhaus Baden-Baden, Philharmonie Berlin) – and of course, with all supporters and patrons!
  • The realization of a living Europe – its values, its traditions, and its rich musical culture!

What the COE needs – Your support:

  • The COE receives no public funding – the orchestra is financed solely through concert fees and private donations.
  • Its unique organizational structure leads to higher costs for travel and accommodation – musicians travel from different countries for each project.
  • Like any independent enterprise, the COE is subject to market fluctuations: inflation, rising costs for travel, energy, and management – while revenues stagnate due to reduced public cultural funding.

This is where your support is needed:

  • To finance travel and fair fees, to maintain quality, for instruments and transport cases.
  • To support special projects through which the COE continues to develop the international concert scene.
  • To help realize new ideas in the field of education.

Your opportunities to be part of it:

Red Bird Circle: €100 / year +
Your support helps us in all aspects of our work, including concerts, recordings, and education programs. As a thank-you for your contribution, you will receive:

  • Regular news and updates
  • A free CD

Silver Bird Circle: €1,000 / year +
You will have expanded opportunities to engage with the orchestra. As recognition for your support, you will receive:

  • All benefits of the Red Bird Circle – plus:
  • Advance information and access to a priority booking service
  • Invitations to selected intermission receptions
  • The opportunity to go behind the scenes on special occasions
  • Upon request: acknowledgment on the orchestra’s website

Gold Bird Circle: €5,000 / year +
You help us achieve our artistic goals in a particularly sustainable way, staying closely connected to our musicians and creative work. You will also have access to exclusive events:

  • All benefits of the Silver Bird Circle – plus:
  • Invitations to receptions for you and your guests
  • Invitations to exclusive events and concerts with opportunities to meet our musicians
  • Invitations to attend rehearsals – with a seat on stage

Platinum Bird Circle: €10,000 / year +
To ensure that your generous support is used in a way that truly reflects your vision, we work with you to create a personalized support model. As a token of our appreciation, you will receive:

  • All benefits of the Gold Bird Circle – plus:
  • Personalized updates and insights into your supported project, including access to related rehearsals and events
  • A tailored engagement with the orchestra’s activities
  • Exclusive opportunities to dine with musicians and management
  • Whenever possible: invitations to meet conductors and soloists
  • Tour participation and logistical support for attending a COE project

In addition to the “Bird Circles,” you can sponsor an individual musician or artist.

If you would like to join the COE family but are unsure which “Bird Circle” is the best fit for you, please contact us. We offer personalized guidance and would be happy to discuss the most suitable support option for you: a.kerner@concarts-berlin.de

You are also welcome to donate without joining a Circle.

Our bank details:
conc.arts berlin gUG (haftungsbeschränkt)
Commerzbank Berlin
IBAN: DE49 1004 0000 0276 6699 00
BIC/SWIFT: COBADEFFXXX

Please use “Donation Chamber Orchestra of Europe” as the reference.

The COE greatly appreciates donations and aims to ensure that your contribution is tax-deductible whenever possible. Therefore, conc.arts berlin serves as the primary contact for donors in German-speaking regions. You will receive a donation receipt valid for German tax authorities.

Building Bridges 2025/26

Season 2025/26
Eloïse Bella Kohn, Itamar Carmeli
Building Bridges – András Schiff presents young pianists

Even after graduating from a prestigious conservatory, it is not easy for young musicians to position themselves successfully in the international music market – because regardless of talent and technical excellence, they often lack performance practice and access to important networks. This is where Sir András Schiff’s programme Building Bridges comes in, with which he has been providing targeted and sustainable support for young pianists since 2014.

Each season, András Schiff, who himself built his international acclaimed career without the springboard of a major competition win, selects three gifted pianists with unique musical personalities and, in cooperation with conc.arts berlin, arranges recitals for them at concert venues and festivals throughout Europe. As honorary artistic director, András Schiff selects the participants and develops the repertoire together with them. Implementation and organisation are carried out by conc.arts berlin gUG.

With Building Bridges, Sir András Schiff has established a unique model for the sustainable promotion of young musicians, enabling young pianists to build their own bridges to the professional music world.

With the kind support of the Melinda Esterházy de Galantha Foundation, C.Bechstein and the Ernst-Herbert und Christiane Pfleiderer Stiftung.

With your donation, you will ensure that young artists in the sensitive early stages of their careers are helped to shape the demanding path to a successful career with care and professional guidance.
Together with Sir András Schiff, you build stable bridges! As the organisational and administrative platform of the programme, the non-profit conc.arts berlin gUG can issue donation receipts upon request. Please transfer your donation to the following account with the reference “Donation Building Bridges”:

conc.arts berlin gUG (haftungsbeschränkt)
Bank account: Commerzbank Berlin
IBAN: DE49 1004 0000 0276 6699 00
BIC/SWIFT: COBADEFFXXX

Find more information about the pianists of the current and following seasons, the concert dates and the idea at Building-Bridges-website.